I remember feeling a bit shell-shocked after watching 'The Irishman' for the first time. I felt drained, and not just by the film’s...

Owen writes to commemorate the 45th anniversary of John Carpenter's seasonal horror classic.

Mateo fondly reflects on Abel Gance's groundbreaking 1927 silent film as he departs from UFS.

Owen Ward delivers the goods on McQuarrie and Cruise's latest collaboration.

Owen embarks on Indy’s final journey: closure for the iconic character, but at what cost?

Elijah breaks down physical transformations and how the concerning trades they play into.

Jocelyn asks the age old question, "Hey, what's up with those 'Evangelion' remakes?"

The seventh art, Greenaway insists, is indebted not to theater or writing, but to painting.

Craig's diatribe on the magic of Juggalove through the lens of Grain Alcohol.

Nora reluctantly reviews the latest failure at launching a franchise from Sony Entertainment.

Vance praises Ti West's Trojan Horse of bodily destruction. Come for A24, leave with blood, guts, and gore!

In Demme's Oscar-winning masterpiece, he asks the question: what happens after the end of history?

If you get divorced, all you have to do show up your ex is become a magic dictator that oppresses a race of fairy children.

Sebastian explicates the connections between his own experiences and the themes of addiction in Ducournau's first feature.

Decided via democratic process, Match Cut is proud to unveil its first ever best of the year list!

Brace your brain and open your eyes, there are movies to explore.

Follows Adam Sandler’s life as an actor and producer after 'Grown Ups 2,' including 'Uncut Gems' and the movie "that is so bad on purpose."

On the eve of Metal Detector Maniac's release, we spoke to one of its creators, the one-of-a-kind songwriting legend Matt Farley.

'Grown Ups 2' is the zenith for alternative narrative films in which dudes vibe, while being Adam Sandler’s very own Bitter Sweet Symphony.

An ode to one of the greatest films by one of the greatest filmmakers, Mateo praises Dreyer's marriage of earnest faith and sublime form.