I remember feeling a bit shell-shocked after watching 'The Irishman' for the first time. I felt drained, and not just by the film’s...

Owen embarks on Indy’s final journey: closure for the iconic character, but at what cost?

Nora reluctantly reviews the latest failure at launching a franchise from Sony Entertainment.

Vance praises Ti West's Trojan Horse of bodily destruction. Come for A24, leave with blood, guts, and gore!

Despite the promise of a formally exciting giallo homage, Edgar Wright's new film is a confused and borderline puritanical bore.

Building a rich collection of influences, Wes Anderson steals like a master in New Journalism comedy.

Reckoning with the MCU's past, Eddie sizes up its latest entry and what it may. mean for the franchise's future.

Tommy praises the sequel to 2018's Venom for its unpretentious resemblance to the schlocky superhero fare of the 2000s.

Though it may be the latest entry in the saga of the Hollywood meat grinder, Chance finds worth in Sion Sono's most compromised outing.

Coining the term 'neo-late period style,' Vance assesses the newest film from Paul Schrader.